中国陶瓷艺术的创作美学分野与在地性审美经验研究  

Creative Aesthetic Field and Local Aesthetic Experience of Chinese Ceramic Art

作　　者：怀康 路子琰 HUAI Kang;LU Ziyan(School of Fine Arts,Shandong University of Technology,Zibo 255000,Shandong,China;Qi Culture Research Institute,Shandong University of Technology,Zibo 255000,Shandong,China;School of Arts,Kyonggi University,Suwon 32588,Gyeonggi do,Korea)

机构地区：[1]山东理工大学美术学院,山东淄博255000 [2]山东理工大学齐文化研究院,山东淄博255000 [3]京畿大学艺术学院,韩国京畿道水原32588

出　　处：《陶瓷学报》2023年第6期1256-1261,共6页Journal of Ceramics

基　　金：安徽省哲学社会科学规划项目(AHSKQ2021D151)。

摘　　要：中国陶瓷艺术是民族审美精神及文化自信的重要载体,从创作角度可以将中国陶瓷艺术分为陶瓷工艺美术和现代陶艺两大类型,前者以完整性为追求且注重材质美,后者通过对材料“物性”的释放强调个性美,构成了创作美学的分野。在欣赏过程中产生的生理联觉、心理移觉、情感感通,体现了中国陶瓷艺术欣赏的在地性审美经验,彰显了中国陶瓷艺术的审美特质。Chinese ceramic art,as an important carrier of national aesthetic spirit and cultural self-confidence,can be categorized into two types from the perspective of creation:ceramic arts and crafts and modern ceramic art.The former pursues integrity and focuses on material beauty,while the latter emphasizes the beauty of individuality through the release of materials'"physical properties",thereby constituting the field of creative aesthetics.The physiological synesthesia,psychological sense and emotional sense produced in the appreciation process not only reflect the local aesthetic experience of Chinese ceramic art appreciation but also highlight the aesthetic characteristics of Chinese ceramic art.

关 键 词：陶瓷工艺美术 现代陶艺 创作美学 审美经验 

分 类 号：TQ174.74[化学工程—陶瓷工业]