中国山川版画的门类划分、艺术地位与意义延伸——基于《明清山川版画》专集的价值阐述  

The Classification,Artistic Status and Significance Extension of Chinese Mountain and Water Printmaking:Value explanation based on the special collection of mountains and waters printmaking

作　　者：杨祥民 Yang Xiangmin

机构地区：[1]南京艺术学院艺术研究院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2024年第1期86-90,I0011,I0012,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社科基金艺术学重大项目《中国画学研究》(20ZD12)阶段性研究成果。

摘　　要：《明清山川版画》专集对山川版画进行系统梳理和全面呈现,以时间为序,展示发展演变过程;以空间为别,呈现地理区域差异。历史上古版画的分工合作体系,让文人画家、专业画家更容易加入版画创作,促进古版画艺术水平提高。山川版画既有山川地图的指示功能,也有山水画作的艺术特征,是介于两者之间、博采两者之长的图画形式,较之于山水画更具有艺术地理学层面的意义和价值。The special collection Mountain and Water Printmaking of Ming and Qing systematically sorts out and comprehensively presents the development and evolution process of mountain and water printmaking in chronological order;presenting regional differences based on space.The division of labor and cooperation system of ancient printmaking in history has made it easier for literati and professional painters to join in printmaking creation,promoting the improvement of the artistic level of ancient printmaking.Mountain and water printmaking has both the indicative function of mountain and water maps and the artistic characteristics of landscape paintings.It is a form of painting that falls between the two and draws on the strengths of both.It has more significance and value at the level of artistic geography than a landscape painting.

关 键 词：山水画 山川版画 山川地图 艺术地理学 

分 类 号：J202[艺术—美术]