凹凸画与6-8世纪中国雕塑造型方式之变的关联  

The Relationship between Concave and Convex Painting and the Changes in Chinese Sculpture Modeling Methods from the 6th to the 8th Century

作　　者：薛问问[1] Xue Wenwen

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2024年第1期91-97,I0012,共8页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社会科学基金艺术学重大项目《中国传统美术的当代复兴研究》(21ZD23)子项目《中国传统美术的造型研究》的阶段性研究成果。

摘　　要：唐代雕塑为中国古代雕塑艺术的巅峰之一,造像尤为其中翘楚,本文分析唐代造像与凹凸画造型方式的共性,通过比较其与汉代造型方式间的区别,说明唐代雕塑造型方式中底层观念的变化,进而从造型机制角度回应唐代雕塑风格形成的原因。Sculptures of the Tang Dynasty was one of the pinnacle of ancient Chinese sculpture art,with statues being particularly outstanding.This article analyzes the commonalities between the Tang Dynasty statues and concave convex painting styles,and differences between Han Dynasty styles,and shows the changes in the underlying concepts in the Tang Dynasty sculpture styles,and responds to the reasons for the formation of Tang Dynasty sculpture styles from the perspective of modeling mechanisms.

关 键 词：中国传统雕塑 造型 汉代雕塑 唐代雕塑 

分 类 号：J306[艺术—美术]