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作 者:吴昊宇 WU Haoyu(Academy of Arts&Design,Tsinghua University,Beijing 100084,China)
机构地区:[1]清华大学美术学院,北京100084
出 处:《陶瓷学报》2024年第1期212-218,共7页Journal of Ceramics
摘 要:拟从地理、经济、生活和生产方式等多层关系对广西地区陶瓷烧造类项目进行调研,以生产工艺和产业发展为切入点,对广西土窑柴烧进行概念性数据梳理和分析,探讨场域关系、数字化技术等多维视角对广西土窑柴烧现代化转型的影响。旨在展现广西土窑空间分布的成因和柴烧土陶的历史价值,认识土陶制造工艺与器型流变的技术背景,以求对广西土窑柴烧全方位的认识和文化品牌的价值重塑,探索广西土窑烧造类项目现代化转型的路径和策略,为广西土窑的生产性保护提供学术支撑和理论依据。This paper is aimed to make a survey about ceramic firing projects in Guangxi from several perspectives,including geography,economy,production mode and life style.Taking production techniques and industrial development as the point of penetration,a conceptual analysis of Guangxi wood-burning ceramics kilns' data was conducted.On this basis,it is to analyzes the environmental relationships and digital techniques applied in the production process of Guangxi's wood-burning ceramic kilns,revealing the influence of these multiple factors.Thus,it is possible to figure out the reasons for spatial distribution of these ceramics kilns and the historical value of wood-burned pottery and appreciate the craftsmanship of crude pottery and porcelain and the techniques contained in these ceramics developing process.As a result,an overall understanding of Guangxi's wood-burning ceramic kilns could be offered to the Academic,thus realizing the value reconstruction of this cultural brand.Therefore,some possible paths and strategies for the modern transition of Guangxi's wood-burning ceramic kilns were proposed,providing academic foundation and theoretical support for the protection and development of Guangxi's wood-burning ceramic kilns.
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