解放与重构:延安时期新秧歌剧中的性别图景  

Liberation and Reconstruction:The Gender Landscape in the New Yangko Opera of the Yan′an Period

作　　者：勾淳淳 孔岩[1] GOU Chunchun;KONG Yan(School of Literature and Journalism and Communication,Yan′an University,Yan′an 716000,China)

机构地区：[1]延安大学文学与新闻传播学院,陕西延安716000

出　　处：《湖南人文科技学院学报》2024年第1期45-50,共6页Journal of Hunan University of Humanities,Science and Technology

基　　金：陕西省哲学社会科学重大理论与现实问题研究项目“延安时期中国共产党领导下的促进男女平等的制度机制研究”(2022HZ1072)。

摘　　要：延安时期的新秧歌剧将“改造二流子”和妇女劳动英雄建构为革命框架中的政治共同体,在“家庭统一战线”服务于“民族统一战线”的历史情境中,突出表现了新秧歌剧文本中革命话语和集体话语对消解性别冲突、构建两性和谐社会的努力。通过对民族文艺形式的改造与利用,将男女平等观念融入群众文艺之中,在建构新的性别图景的政治性隐喻中虽然存在理论和实践上的罅隙,但仍为性别平等议题的讨论提供了独有的延安经验。The new Yangko Opera of Yan′an period constructs the political community of"transforming hoodlums"and women labor heroes in the revolutionary framework.In the historical context of the"family united front"serving the"national united front",the text of the new Yangko Opera highlights the efforts of revolutionary discourse and collective discourse to resolve gender conflicts and build a gender harmonious society.Through the transformation and utilization of the form of national literature and art,the new Yangko Opera integrates the gender equality system into the mass literature and art.Although there are gaps in theory and practice in the political metaphor of constructing new gender picture,it still provides a unique experience for the discussion of gender equality.

关 键 词：延安 新秧歌剧 建构 性别图景 

分 类 号：I236.41[文学—中国文学]