“革命加恋爱”小说模式重窥  

Re-exploration the Novel Model of“Revolution and Love”

作　　者：王哲 刘继林[1] WANG Zhe;LIU Jilin(School of Chinese Language and Literature,Hubei University,Wuhan 430062,China)

机构地区：[1]湖北大学文学院,湖北武汉430062

出　　处：《湖南人文科技学院学报》2024年第1期99-104,共6页Journal of Hunan University of Humanities,Science and Technology

基　　金：国家社会科学基金项目“民间话语与百年中国文学书写研究”(19BZW116)。

摘　　要：滥觞于20世纪20年代末的“革命加恋爱”小说,有传统“才子佳人”小说模式的影子,又在其中注入了现代革命意识。大致来说,其主题形态可分为“革命战胜爱情”“革命与爱情交融”“革命衍生爱情”三类,其话语模式也有失度的革命话语建构、虚夸的浪漫主义表达、鲜明的“男权”中心话语等类别。“革命加恋爱”小说创作模式中的女性并未因革命而真正实现个人解放,其在“男权”话语中的弱势地位、失语状态或极端抗争方式等,仍在昭示着革命时代的女性解放任重而道远。The novel model of“revolution and love”,which originated in the late 1920s,has the shadow of the traditional“scholar and beauty”model,but infuses modern revolutionary consciousness into it.Its theme can be divided into three categories:“revolution conquering love”,“revolution blending with love”and“love deriving from revolution”.Its discourse mode also includes the construction of revolutionary discourse,the expression of romantic indiscretion,and the distinctive discourse thought of male power center.The women in the model of“revolution and love”have not been liberated by the revolution,and their weak position in the male discourse and their struggle with aphasia or extreme ways still show that there is a long way to go for female liberation.

关 键 词：革命加恋爱 主题形态 话语模式 女性主义 

分 类 号：I206.6[文学—中国文学]