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作 者:韩如月 王叶[1] 孙兆奇 Han Ruyue;Wang Ye;Sun Zhaoqi(School of Art and Design,Beijing University of Technology,Beijing 100124,China)
出 处:《艺术与设计(理论版)》2023年第11期46-49,共4页Art and Design
摘 要:随着现代人审美素养的不断提升,人们对展示空间的需求已经从单纯的可视性、舒适性和便利性转变为更深层次的心理需求,即通过参与来获得自我满足感和认同感,实现精神富足。在此背景下,文章基于心理学的心流理论进行研究,旨在探讨心流理论在展示空间设计中的应用,分析空间如何触发人们的心流体验,并深入研究心流理论与展示空间设计的适配性问题,总结其在实践中的应用价值,为设计师和学者提供重要的理论基础和实践指导。With the continuous improvement of modern people's aesthetic literacy,people's demand for display space has shifted from simple visibility,comfort,and convenience to deeper psychological needs,that is,to obtain a sense of self satisfaction and identity through participation,and achieve spiritual prosperity.In this context,based on the research of psychological flow theory,the article first sorts out the characteristics and mechanisms of heart flow,and then analyzes multiple famous art museum cases to deeply explore the relevant design elements that can trigger heart flow in space.By using comparative analysis and inductive summary research methods,it is classified as"clear spatial tone and linear spatial sequence"From the aspects of creating atmosphere and expressing ideas in space"and"human perception and experience",this paper proposes the compatibility between flow theory and display space,in order to provide important theoretical significance and practical value for researchondisplay spacedesign.
分 类 号:TU242.5[建筑科学—建筑设计及理论]
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