竖屏动画构图中对国画的借鉴  

The Reference of Vertical Animation Composition to Traditional Chinese Painting

作　　者：廉征 张苇[1] Lian Zheng;Zhang Wei(School of Art and Design,Wuhan University of Technology,Wuhan 430070,China)

机构地区：[1]武汉理工大学艺术与设计学院,武汉430070

出　　处：《艺术与设计（理论版）》2023年第11期102-104,共3页Art and Design

摘　　要：随着互联网通讯技术的高速发展和智能移动终端的普及,影像作品的呈现方式更为多样,出现了便于智能手机传播的竖式影像,随后,国内外多家视频平台相继推出竖屏观看模式,竖屏视频和竖屏动画逐渐走进观众视野。竖屏动画在构图中可以考虑学习有着相同画幅形式的竖构图绘画作品,文章探究中国传统绘画理论在竖屏动画中的可借鉴之处,尝试将国画的构图审美与动画创作相结合,从中找到适合竖屏动画的构图方法。With the rapid development of network communication technology and the popularization of mobile intelligent terminal,video works are presented in more diverse ways,vertical videos that are easier to spread by smart phones have appeared.Subsequently,many video platforms at home and abroad have launched vertical screen viewing mode,vertical videos and vertical animations gradually enter the audience's vision.In the creation of vertical animation,we can consider learning vertical composition paintings with the same format.This paper will explore the reference of traditional Chinese painting theory in vertical animation,try to combine the composition aesthetics of traditional Chinese painting with animation creation,and find a suitable composition method for vertical animation.

关 键 词：动画 竖屏动画 国画 构图 

分 类 号：J954[艺术—电影电视艺术]