呼和浩特古戏台建筑形制及装饰特征解析  

Analysis of the Architectural Form and Decorative Features of Hohhot Ancient Stage

作　　者：邢妍 莫日根[2] 崔志成 Xing Yan;Mo Rigen;Cui Zhicheng(College of Architecture,Inner Mongolia University of Technology,Hohhot 010051,China;Inner Mongolia Key Laboratory of Green Building,College of Architecture,Inner Mongolia University of Technology,Hohhot 010051,China)

机构地区：[1]内蒙古工业大学建筑学院,呼和浩特010051 [2]内蒙古工业大学建筑学院 [3]内蒙古自治区绿色建筑重点实验室,呼和浩特010051

出　　处：《艺术与设计（理论版）》2023年第12期88-91,共4页Art and Design

基　　金：内蒙古自治区自然科学基金项目项目编号:2022LHMS05014;内蒙古自治区直属高校基本科研业务费项目项目编号:JY20220067;内蒙古自治区直属高校基本科研业务费项目项目编号:JY20230102。

摘　　要：呼和浩特地区古戏台是明清晋地移民入蒙过程中,以建筑联结情感,以装饰构建乡土文化氛围的典型移民风土建筑。文章基于实地调查研究,在对呼和浩特地区古戏台溯源的基础上,对建筑形制、装饰特征两个方面进行细致分析,同时,从与戏台和移民密切关联的神俗寓意与族群凝聚角度分析装饰构件和纹样题材等方面的深刻内涵。以期为后续内蒙古古戏台建筑及装饰的研究提供较为全面的理论参考。The ancient theater in Hohhot is a typical immigrant style building that connects emotions with architecture and constructs a local cultural atmosphere through decoration during the immigration process from the Ming,Qing,and Jin regions to Mongolia.Based on on-site investigation and research,this article provides a detailed analysis of the architectural form and decorative features of ancient theaters in the Hohhot region.At the same time,it analyzes the profound connotations of decorative components and motifs from the perspectives of divine and folk meanings and ethnic cohesion closely related to the theaters and immigrants.In order to provide a comprehensive theoretical reference for the subsequent research on the architecture and decoration of Inner Mongolia ancient theaters.

关 键 词：古戏台 建筑形制 装饰特征 文化内涵 

分 类 号：TU238[建筑科学—建筑设计及理论]