MG动画中空间并置的叙事表现  

Narrative Representation of Spatial Juxtaposition in MG Animation

作　　者：于景 张苇[1] Yu Jing;Zhang Wei(School of Art and Design,Wuhan University of Technology,Wuhan 430070,China)

机构地区：[1]武汉理工大学艺术与设计学院,武汉430070

出　　处：《艺术与设计（理论版）》2023年第12期92-94,共3页Art and Design

基　　金：2022年福建省中青年教师教育科研项目(科技类);2022年中国民办教育协会年度规划课题(学校发展类)项目编号:JAT220451;CANFZG22496。

摘　　要：空间并置是一种现代的平面设计手法。将空间并置手法运用于MG动画中,可以在同一镜头画面中实现多时空和多线叙事,空间并置带来的解读难度和陌生化感受,使观众会更主动的参与叙事解读。文章通过大量空间并置表现的案例分析,推导出MG动画中,空间并置具有提高叙事效率、引导叙事节奏和建立时空逻辑等叙事功能,归纳出空间并置多视角、多维度的多线叙事方式,以及空间并置的三种叙事表现方法:图框限定的空间并置、突破图框限制的空间并置和去图框的空间并置表现。空间并置手法的运用,使MG动画呈现出一种更加时尚、新奇、酷炫的风格样式,更具表现力、吸引力和艺术性。Spatial juxtaposition is a contemporary graphic design technique.By incorporating spatial juxtaposition in MG animation,it becomes possible to achieve multi-temporal and multi-threaded narratives within the same frame.The interpretive challenges and sense of unfamiliarity brought about by spatial juxtaposition encourage active audience engagement in interpreting the narrative.This article analyzes numerous cases of spatial juxtaposition representation and deduces the narrative functions in MG animation,such as enhancing narrative efficiency,guiding narrative rhythm,and establishing temporal and spatial logic.It also summarizes the multiple perspectives and dimensions of spatially juxtaposed multi-threaded narratives and presents three narrative expression methods:spatial juxtaposition within framed boundaries,spatial juxtaposition breaking free from frame limitations,and spatial juxtaposition without frames.The application of spatial juxtaposition techniques enables MG animation to showcase a more fashionable,novel,and visually stunning style,while also enhancing expressiveness,appeal,and artistic qualities.

关 键 词：MG动画 动态图形设计 空间并置 叙事 

分 类 号：J954[艺术—电影电视艺术]