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作 者:谢梦昕[1,2] XIE Mengxin
机构地区:[1]四川警察学院,四川泸州646000 [2]四川外国语大学,重庆400031
出 处:《外国语文》2024年第1期73-83,共11页Foreign Languages and Literature
基 金:重庆市博士研究生科研创新项目“珍妮特·温特森早期小说中的嵌套叙事研究”(CYB22254)的阶段性成果。
摘 要:珍妮特·温特森以莎士比亚的《冬天的故事》为原型创作了《时间之间》。小说不仅与原剧形成明显的互文关系,还与音乐紧密关联,因为该小说文本有大量的音乐在场。对音乐母题的探讨有益于该小说的研究,但目前国内外学者对此研究甚少。用文本细读的方法,梳理《时间之间》中与音乐相关的人物、乐器及演奏技法、音乐的传播媒介、音乐史等音乐母题的具体呈现,旨在探讨音乐母题在小说文本建构和生成中发挥的推动主要情节发展、表达人物基本情绪、治愈人物心理创伤等作用,阐明音乐母题对表达传统主题的时代新意具有价值,以期从被忽略的音乐母题的视角来丰富对小说的研究。Jeanette Winterson writes The Gap of Time,taking Shakespeare's The Winter's Tale as the archetype.This fiction not only forms an obvious intertextual relation with the play but also closely relates to music since there is a lot of music in this text.The study of the music motif is helpful to the study of this work,but there is little research on it by scholars at home and abroad.In light of close reading,this paper deals with the specific presentations of the music motif in The Gap of Time,including characters related to music,musical instruments and techniques of performances,the media of music,and music history,discusses the functions in the construction and creation of the text,such as promoting the development of the main plot,expressing basic emotions of characters and healing the trauma of characters,and elaborates its value of renewing the traditional themes with new ideas of the age,aiming at enriching the study of this fiction from the perspective of the neglected music motif.
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