莫言对卡夫卡式黑色幽默的借鉴与创新——《酒国》与《审判》之比较  

Mo Yan s Borrowing and Innovation of Kafkaesque Black Humor—A Comparative Study of The Republic of Wine and The Trial

作　　者：郝燕 HAO Yan(School of Foreign Languages,Bengbu University,Bengbu 233030,China)

机构地区：[1]蚌埠学院外国语学院,安徽蚌埠233030

出　　处：《长春大学学报》2024年第1期61-66,共6页Journal of Changchun University

基　　金：安徽省高校优秀青年人才支持计划项目(gxyq2022107);安徽省人文社会科学重点项目(2022AH051903)。

摘　　要：莫言的《酒国》与卡夫卡的《审判》都采用了共同的黑色幽默技巧,通过“反英雄”人物的塑造以及对文本意义的消解,揭示了现代社会人孤独、焦虑和幻灭的心理现实及在非理性世界中的生存困境。但从书写方式看,两者存在着显著差异。卡夫卡受道家思想的影响,向世人展示的是虚幻空灵的“出世”之作,而受儒家文化影响的莫言怀有更多的“入世”情结,关注的是特定历史背景下被摧残的人性,以此展示乡土中国的历史和命运。Mo Yan s The Republic of Wine and Kafka s The Trial adopt the same black humor techniques.They both create“anti-hero”characters and eliminate the textual meaning,revealing modern people s psychological feelings of loneliness,anxiety and disillusionment,as well as the dilemma of survival in the irrational world.However,they are significantly different in the ways of writing.Kafka,influenced by Taoism,shows the world ethereal works of“retiring from the society”,while Mo Yan,influenced by Confucian culture,has more complex of“going into the society”,who focuses on the destroyed human nature under a specific historical background,and further to show the history and fate of China.

关 键 词：莫言 卡夫卡 《酒国》 《审判》 黑色幽默 

分 类 号：I106.4[文学—世界文学]