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作 者:陈忠猛 Chen Zhongmeng(Foreign Language School,Nanchang Normal University,Nanchang,Jiangxi,330032)
机构地区:[1]南昌师范学院外国语学院,江西南昌330032
出 处:《地方文化研究》2023年第6期43-51,共9页Local Culture Research
基 金:江西省高校人文社会科学研究项目“中国民间信仰‘力动态’意象图式研究”(项目编号:ZJ23101)阶段性成果;南昌师范学院博士科研启动基金(项目编号:NSBSJJ2022013)阶段性研究成果。
摘 要:孟姜女故事现象的研究范式大致历经了由顾颉刚为代表的历史、地域文化系统的考据到地方化、主题化话语涵义、形式再呈现的过程,孟姜女故事的意义空间由此而得以拓展、延伸。然而,由于在地化的文化殊相各异,孟姜女故事的体系化研究并未取得较大进展。事实上,作为一种民间文学现象,孟姜女话语一直都以各种声音形式繁衍着、延续着。在古代礼乐传统中,声音是沟通官方与民间的传统渠道,融洽人与人之间关系的天然媒介,感应人与自然的神秘力量。同样,“民声”是孟姜女话语体系联系化、关联化的重要现象。发源于《左传》的史实,汇流于《列女传》等文学,散布于各地民间传说、歌谣、说唱以及民间戏曲等,孟姜女话语经历了由官方正声(音)而走向民众俗声的传播路径。民间变化多样的体裁赋予了作者、讲述者、表演者更多自由的话语空间,跨越文体边界,不断容纳更多发自于民众的声音,传递了他们的生活生产经验认知、情感想象,反映了他们的生活愿望、渴求以及生命意志,彰显了民众自由表达的实践主体性;声音机制的演变、交融成为孟姜女话语传播的主要内生动力。The study paradigm on the story about Meng Jiang Nu(the eldest daughter of Family Jiang,"Meng"means ranking the first among the children in a family)generally changes from the textual research of history and geography represented by Mr.Gu Jiegang and Mr.Zhong Jingwen to the re-discovery of the discourse meaning,re-presentation of the discourse form,re-visiting of the discourse case.During the process,the meaning space of Meng Jiang Ni discourses has been extended.However,due to the diverse local cultures,systematic research on the story has not achieved significant progress.In fact,as a phenomenon of folk literature,Meng Jiang Nu discourse has always been propagated and continued in various forms of voice.In the ancient ritual and music tradition,voices were a conventional channel for communication between the official and the folk,a natural medium for harmonious relationships among people and a mysterious power for sensing subtlety between humans and nature.In ancient ritual and music traditions,sound was a traditional channel for communication between the official and folk,a natural medium for harmonious relationships between people,and a mysterious power for sensing subtlety between humans and nature.Likewise,"Folk Voices"are in an important position of the Meng Jiang Nu discourses.The discourse phenomenon is originated from the"historical facts"of Zuo Zhuan,concentrated in the literary works such as"Biography of Women",and spread in folk legends,songs and operas around the country along a path from the official voices to folk voices.A variety of folk genres give author,narrators,and performers more free space across the stylistic border,to accommodate more folk voices and to transmit their experiences,feelings of life and production,reflecting their life desires,longings,and will,highlighting the expressive freedom of the subjective practice.The discourse route demonstrates the dual nature of the extension of time and expansion of space about the folk-orientation,and also contains the dynamic mechanism of dis
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