汉代书法理论述论  

On Theory of Calligraphy of the Han Dynasty

作　　者：葛稳罡 GE Wen-gang(Confucius Culture Research Institute,Qufu Normal University,Qufu 273165,Shandong;Philosophy and Social Sciences Federation,Jiangsu Nursing College,Huai'an 223003,Jiangsu)

机构地区：[1]曲阜师范大学孔子文化研究院,山东曲阜273165 [2]江苏护理职业学院哲学社会科学联合会,江苏淮安223003

出　　处：《商洛学院学报》2024年第1期70-76,共7页Journal of Shangluo University

摘　　要：书法是关于汉字的艺术,但文字的产生并不等于书法的诞生,书法作为一门独立的艺术门类应该以书法理论的出现为标志。从目前能掌握的文献来看,中国书法理论诞生于西汉末,并不断发展、繁荣,陆续出现了扬雄、崔瑗、赵壹、蔡邕等一批书法理论家,形成了蔚为壮观的汉代书法理论系列,创下了许多书法史上的第一。汉代书法理论开创了中国书学和书论的框架模式,奠定了多种书体的认知,有效发展了新书体,特别是提升了草书的书法地位,使其成为最具表现力的书体。汉代书法理论产生的许多新观点,持续影响后世,对后来两千余年书法创作实践和书法理论批评都具有很重要的指导意义。Calligraphy is about the art of Chinese characters,but the emergence of characters is not equal to the birth of calligraphy,as an independent art category,calligraphy should be marked by the emergence of calligraphy theory.According to the available literature,Chinese calligraphy theory was born at the end of the Western Han dynasty,and has been developing and prospering.There are a number of calligraphers,such as Yang Xiong,Cui Yuan,Zhao Yi,Cai Yong,etc.,formed a spectacular Han dynasty calligraphy theory series.The theory of Han dynasty calligraphy created the frame model of Chinese calligraphy and calligraphy theory,established a variety of calligraphy styles,effectively developed new calligraphy styles,especially enhanced the status of cursive calligraphy,making it the most expressive calligraphy style.Many new viewpoints of the theory of calligraphy in the Han dynasty have a lasting influence on the later generations,and are of guiding significance to the practice and criticism of the theory of calligraphy in the later two thousand years.

关 键 词：汉代书法 书法理论 中国书法 

分 类 号：J292.1[艺术—美术] K234[历史地理—历史学]