崛起的大境界——李旦初“新散曲”创作理论与实践研究  

The Rise of the Big Realm——Appraisement About LI Danchu s Theory and Practice of“New Sanqu”Literature Creation

作　　者：田承顺[1] TIAN Cheng-shun(Department of Chinese,Lyuliang University,Lishi Shanxi 030001,China)

机构地区：[1]吕梁学院李旦初学术研究中心,山西离石030001

出　　处：《吕梁学院学报》2024年第1期44-48,共5页Journal of Lyuiang University

摘　　要：李旦初对当代散曲创作的探索表现在两个方面:一是其提出的“新散曲”概念认为,凡当代作者创作的反映现代生活的散曲,包括按传统曲律和不严格按传统曲律写的自由曲、自度曲、仿古曲,均应统一称之为“新散曲”;二是其对“新散曲”创作审美诸维度包括审美宏观、审美微观、审美导向、审美辩证作了可贵的系统探索。李旦初“新散曲”创作曾获中华诗词学会首届“华夏诗词奖”二等奖和第二届“华夏诗词奖”一等奖。其“新散曲”创作理论与实践成就被写入中华诗词杂志社编辑出版的《当代诗词史》,实现了其“入史”的宏愿。Li Danchu s exploration of the creation of contemporary Sanqu is manifested in two aspects.First,he proposed the concept of“New Sanqu”,which holds that all the Sanqu opera works created by contemporary authors reflecting modern life including free Sanqu,self-prescribed Sanqu and antique Sanqu,written either according to the traditional melody or not strictly according to the traditional melody,should be uniformly called“New Sanqu”.Second,it makes a valuable systematic exploration on the aesthetic dimensions of“New Sanqu”,including the macro aesthetic,micro aesthetic,aesthetic orientation and aesthetic dialectics.Li Danchu s“New Sanqu”has won the second prize of the first Huaxia Poetry Award and the first prize of the second Huaxia Poetry Award of the Chinese Shici Society.His theoretical and practical achievements in the creation of“New Sanqu”have been written into the History of Contemporary Shici,edited and published by Chinese Shici Magazine,realizing his ambition of written into the History.

关 键 词：李旦初 新散曲 创作与实践 

分 类 号：I206.7[文学—中国文学]