晚明吴江叶氏家族闺秀词人的交游唱和与“群体书写”  

The Literary Intercourse and“Group Writing”of Female Poets from the Ye Family in Wujiang in the Late Ming Dynasty

作　　者：甘松 黄星月 GAN Song;HUANG Xingyue(School of Liberal Arts,Hefei Normal University,Hefei Anhui 230601,China;School of Liberal Arts,Anhui Normal University,Wuhu Anhui 241000,China)

机构地区：[1]合肥师范学院文学院,安徽合肥230601 [2]安徽师范大学文学院,安徽芜湖241000

出　　处：《南阳师范学院学报》2024年第2期41-47,61,共8页Journal of Nanyang Normal University

基　　金：国家社会科学基金项目“明代词坛唱和研究”(23BZW075);安徽高校协同创新项目“明清楚辞诗学研究”(GXXT-2020-041)。

摘　　要：晚明时期江南地区女性词人以群体化方式涌现,出现了以家族为载体的闺秀词人群体。叶氏家族闺秀词人群以沈宜修及其三女为核心,与叶氏家族、沈氏家族成员酬唱不断,其词作有近似的题材、高频率使用的典型意象,兼具“林下风”和“闺秀气”的艺术气质;叶氏家族闺秀词人在追忆与唱和中建构梦幻的艺术世界,典型地体现了晚明女性词人由“个体书写”到“群体书写”的转变。以交游唱和为视角,挖掘闺秀词人的心灵世界,有助于进一步深入理解晚明女性词人群体书写的特点及其词史意义。In the late Ming Dynasty,the female poets in the Jiangnan region emerged in a group manner,and a group of beautiful female poets based on their families emerged.The group of lady poets from the Ye family takes Shen Yixiu and her three daughters as the core,and they kept up with the members of the Ye family and the Shen family.Their poems have similar themes,typical image used frequently and have both“Lin Xia Temperament”and“Female Temperament”.The female poets from Ye family construct a“dreamy”artistic world through the literary intercourse and poetic responsory,which typified the transition of the female poets from“individual writing”to“group writing”in the late Ming Dynasty.This paper explores the inner world of lady poets from the perspective of literary intercourse and poetic responsory,which helps to further understand the characteristics of female poets'creations and their significance in the history of poetry during the late Ming Dynasty.

关 键 词：晚明 叶氏家族 闺秀词人 交游唱和 群体书写 

分 类 号：I207[文学—中国文学]