论中国“十七年”美术片音乐在国家意志下的发展起落  

The Crescendo and Diminuendo of Chinese Animated Music in the'Seventeen-Year Era:A Study of Nationalistic Impetus

作　　者：王萌[1] Wang Meng

机构地区：[1]中国传媒大学

出　　处：《中国音乐》2024年第1期150-160,共11页Chinese Music

摘　　要：学界通常将中国“十七年”时期的电影(二维)动画片、剪纸片、折纸片、水墨片、木偶片等统称为中国美术片。建国后,“十七年”美术片达到第一次发展高潮,音乐作为影片的重要组成部分,民族化、交响化、大众化的音乐特征以其特有的时代印记,显示出在国家意志引领下的发展起落。文章从文艺学的角度分析“十七年”国家文艺政策的制定、执行,以及顶层文艺思想对艺术创作实践的影响,在此基础上结合“两创”对当下大众文艺发展做出思考。The"Seventeen-Year"period,a pivotal epoch in China's cultural history,witnessed the flourishing of Chinese animation,including 2D,paper-cut,origami,ink,and puppet films.In the wake of the People's Republic of China's founding,animated music reached an unprecedented peak,marked by its robust expression of nationalism,symphonic orchestrations,and widespread popularity.This study scrutinizes the formation and implementation of national literary and artistic policies of that era through the prism of literary and artistic scholarship.It explores the impact of prevailing literary and artistic doctrines on creative methodologies,placing emphasis on the role of music in these animated works.The discourse extends to an evaluation of the period's popular literature and art,specifically focusing on their trajectory towards"innovation and creation."

关 键 词：“十七年” 美术片音乐 国家意志 文艺政策 “两创” 

分 类 号：J609.2[艺术—音乐]