民国时期复调理论中国化演变路径及特征  

The Trajectory and Distinctiveness of Polyphonic Theory Development in China During the Republic Era

作　　者：刘永平[1] Liu Yongping

机构地区：[1]武汉音乐学院

出　　处：《中国音乐》2024年第1期161-169,176,共10页Chinese Music

基　　金：2021年度国家社科基金艺术学重大项目“中国特色作曲理论体系研究”(项目编号:21ZD17)的阶段成果。

摘　　要：在复调理论中国化的百年演变过程中,民国时期是一个极为重要的历史阶段。其时,中国学者通过著译选编西方音乐理论书籍,以付诸文字出版的传播方式,开启了复调理论在中国本土的演变进程,为迄今已初步构建的中国风格复调理论体系,起到了开创性的奠基作用。本文意图整体概括总结西方复调理论百年中国化的演变路径及特征,重点阐明和探讨民国期间引介研习欧美复调理论的著述成果,以及为中国复调学科创建所作的重要学术贡献。The period of the Republic of China represents a critical phase in the century-long evolution of polyphonic theory within Chinese musical scholarship.During this era,Chinese scholars catalyzed the development of polyphonic theory by engaging in the writing,translation,selection,and compilation of Western music theory texts,thereby establishing a pioneering foundation for an incipient system of polyphonic theory with Chinese characteristics.This article endeavors to provide a comprehensive synthesis of the paths and traits marking the sinicization of Western polyphonic theory over the past century.It emphasizes the examination and exploration of the scholarly endeavors in adopting and adapting European and American polyphonic concepts during the Republic of China,assessing their significant scholarly contributions towards shaping the discipline of Chinese polyphony.

关 键 词：复调理论 民国时期 中国化 著述成果 学术贡献 

分 类 号：J614.2[艺术—音乐]