贾达群《狂想曲·梨园腔魂》主题构建中的秦腔风格  

The Style of Shan local opera in the Theme Construction of Jia Daqun's Rhapsody-The Spirit of the Tunes from the Traditional Operatic Circle

作　　者：原晋彪 Yuan Jinbiao

机构地区：[1]浙江音乐学院 [2]浙江音乐学院继续教育学院

出　　处：《中国音乐》2024年第1期177-187,共11页Chinese Music

摘　　要：本文以贾达群大型民族器乐协奏套曲《梨园》之末乐章《狂想曲·梨园腔魂》(以下简称《腔魂》)为研究对象,在对秦腔音乐的风格和形式特征进行研究的基础上,从材料动机塑造、音乐主题构成及展衍贯穿三个方面就《腔魂》基于秦腔风格的创作手法给予了细致的分析,进而揭示出该作品在音高组织过程中保持秦腔风格的呈现方式。The article takes as the research object the last movement of Jia Daqun's large-scale Chinese instruments concerti suite-Traditional Operatic Circle,Rhapsody-The Spirit of the Tunes from the traditional Operatic circle(hereinafter referred to as The Spirit of the Tunes),on the basis of the study of the style and formal characteristics of the Shan local opera music.It analyzes in great details the composing techniques of The Spirit of the Tunes based on the Shan local opera style from three aspects:material motif shaping,the composition of the musical theme and the development,revealing the way Shan local opera style is presented in the process of pitch organization in this work.

关 键 词：贾达群 秦腔风格 主题动机 主题发展 西北民歌元素 

分 类 号：J614.3[艺术—音乐]