基于曲式学的江南园林线性空间转译研究  

Preliminary Study on the Translation of Linear Space in Jiangnan Gardens Based on Music Form

作　　者：李旭[1,2,3] 龚文君 Li Xu;Gong Wenjun

机构地区：[1]湖南大学建筑与规划学院 [2]湖南大学丘陵地区城乡人居环境科学湖南省重点实验室 [3]湖南大学湖南省地方建筑科学与技术国际科技创新合作基地

出　　处：《华中建筑》2024年第3期96-101,共6页Huazhong Architecture

基　　金：湖南省哲学社科基金“多元文化影响下的湖南佛教寺院空间营造研究资助项目”(编号:17YBA083);湖南省自然科学基金“湖南佛教建筑空间生成逻辑系统的动态演化机制研究资助项目”(编号:2018JJ2040)。

摘　　要：“节奏”作为音乐学领域的常用术语,常被世人用于比喻园林曲折婉转的步行体验。为探究二者的关系所在,笔者通过文献阅读得知乐曲艺术的曲式学结构与园林的空间序列存在相似的构成规律,接而引发对中国传统园林空间节奏序列的思考,尝试通过学科交叉、类型学、现象学的方法建立“乐曲—园林”的结构对应性模型,并用空间图解的分析方式形成园林线性空间的转译关系。旨在从音乐曲式学相关概念的角度深化对传统园林的认识和理解,并为传统园林的现代化转译与园林设计提供创新性的思路。As a common term in the field of musicology,"rhythm"is often used to compare the winding and graceful walking experience of gardens.In order to explore the relationship between the two,we learn from literature reading that there are similar composition rules between the musical form structure of music art and the spatial sequence of gardens,and then trigger the reflection on the spatial rhythm sequence of traditional Chinese gardens,and try to establish the structural correspondence model of"music and garden"through interdisciplinary,typology and phenomenology methods.The translation relationship of garden linear space is formed by means of spatial graphic analysis.It aims to deepen the understanding of traditional garden from the perspective of related concepts of music form,and to provide innovative ideas for the modern translation and garden design of traditional garden.

关 键 词：江南园林 基础转译 空间序列 学科交叉 曲式结构 音乐学 

分 类 号：TU-855[艺术—艺术设计]