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作 者:孙俊南 唐珂 Sun Junnan;Tang Ke(Jingdezhen Ceramics University)
机构地区:[1]景德镇陶瓷大学
出 处:《景德镇陶瓷》2023年第6期20-24,共5页Jingdezhen Ceramics
基 金:2021年国家社科冷门绝学研究专项“江西吉州窑出土瓷片的整理、复原与再现研究”,项目编号:21VJXT020。
摘 要:宋代吉州窑与景德镇窑是当时的重要窑口,生产的陶瓷风格独具,风行一时。捏塑艺术作为兼具实用、娱乐和审美为一体的形式,成了吉州窑与景德镇窑重要的生产内容。本文通过对吉州窑与景德镇窑捏塑的比较研究,阐释了吉州窑与景德镇窑捏塑艺术在造型、题材、装饰、工艺等方面的异同,为继承和发展传统捏塑艺术提供了一定的理论依据。Jizhou kiln and Jingdezhen kiln in the Song Dynasty were important kilns at that time.The ceramics they produced had unique styles and were very popular.As a form that combines practicality,entertainment,and aesthetics,kneading art has become an important production content of Jizhou Kiln and Jingdezhen Kiln.Through a comparative study of the kneading sculptures between them,this article explains their similarities and differences in shape,theme,decoration,and technology,and provides a certain theory for the inheritance and development of traditional kneading sculptures.
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