粉彩开光花鸟装饰表现形式与审美意蕴研究  

Research on the Expression Form and Aesthetic Connotation of Pastel Flower and Bird Decoration

作　　者：刘生庆 刘春生 Liu Shengqing;Liu Chunsheng

机构地区：[1]不详

出　　处：《景德镇陶瓷》2023年第6期75-77,共3页Jingdezhen Ceramics

摘　　要：粉彩开光花鸟装饰自清代发展至今,走过了数百年的发展历程,形成了独特的发展轨迹。粉彩开光花鸟装饰在表现形式具有灵活的开光形式、丰富的构成形式、复杂的工艺形式和多样的色彩形式等特点,粉彩开光花鸟装饰蕴含有传统审美意蕴和现代审美意蕴。Since its development in the Qing Dynasty,pastel fl ower and bird decoration has gone through hundreds of years of development and formed a unique development trajectory.The expression form of pastel consecrated fl ower and bird decoration has the characteristics of fl exible consecration form,rich composition form,complex craft form,and various color forms.Pastel consecrated fl ower and bird decoration contains traditional aesthetic connotations and modern aesthetic connotations.

关 键 词：粉彩开光花鸟装饰 表现形式 审美意蕴 

分 类 号：J527[艺术—艺术设计]