基于符号分析的青绿山水瓷画跨画种融合研究  

Research on the Cross-painting Fusion of Green Landscape Porcelain Paintings Based on Symbolic Analysis

作　　者：彭建春 彭浩勇 Peng Jianchun;Peng Haoyong

机构地区：[1]不详

出　　处：《景德镇陶瓷》2023年第6期81-83,共3页Jingdezhen Ceramics

摘　　要：青绿山水国画与青绿山水瓷画均以青绿山水为表现形式,但两者属于不同画种,本文从符号分析角度出发,分析二者的符号构成系统并分析青绿山水国画融入青绿山水瓷画的机制。青绿山水国画与青绿山水瓷画符号系统由媒介、技艺、审美符号构成,分别属于简单型符号系统和复杂型符号系统,需要采取相应的转换机制才能将青绿山水国画符号转换并融入青绿山水瓷画。Green landscape Chinese painting and green landscape porcelain painting both use green landscapes as a form of expression,but they belong to diff erent types of paintings.This article starts from the perspective of symbol analysis,analyzes their symbolic composition system,and analyzes the integration of green landscape Chinese painting into green landscape porcelain painting mechanisms.Their symbol systems are composed of media,techniques,and aesthetic symbols.They are simple symbol systems and complex symbol systems respectively.Corresponding conversion mechanisms are needed to convert the green landscape Chinese painting symbols and integrate them into green landscape porcelain painting.

关 键 词：符号 青绿山水国画 青绿山水瓷画 融合 

分 类 号：J527[艺术—艺术设计] J212