亚洲的亡灵:安部公房的“满洲”地域空间书写  

The Dead of Asia:Kobo Abe’s Manchuria Regional Space Writing

作　　者：郝鑫[1] HAO Xin(College of Foreign Languages,Northwest University,Xi’an 710127,Shaanxi)

机构地区：[1]西北大学外国语学院,陕西西安710127

出　　处：《宝鸡文理学院学报（社会科学版）》2024年第1期107-112,共6页Journal of Baoji University of Arts and Sciences：Social Science Edition

摘　　要：安部公房《野兽们奔向故乡》中的“满洲”地域形象总体上呈现为三种空间形态——“‘满洲’平原自然地理空间”“现代殖民都市空间”“封闭的特异性空间”。空间书写既能够反映日本返迁群体在日本战败后一直苦寻“故土家园”和“精神故乡”而不得的困顿心理,也代表着作家个人关于“生之故乡”和“存在之故乡”两者关系的思考,具有较为深刻的文学内涵和符号意义。The regional image of“Manchuria”in Kobo Abe’s work Beasts Run to Hometown generally presents three completely different spatial forms,namely,“Manchuria Plain natural geographical space”,“modern colonial urban space”and“closed specific space”,which can reflect the struggling psychology of the Japanese returning population who have been struggling to find their“homeland”and“spiritual homeland”after Japan’s defeat,as well as the author’s personal profound reflection on the relationship between“hometown of life”and“hometown of existence”,thus containing profound literary connotations and symbolic meanings.

关 键 词：安部公房 《野兽们奔向故乡》 “新满洲”叙事 “存在之故乡” 

分 类 号：I109.5[文学—世界文学]