肌理语言在陶艺创作中的应用研究  

Research on the Application of Texture Language in Pottery Creation

作　　者：万宏楠 Wan Hongnan(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2024年第2期106-108,共3页Ceramics

摘　　要：陶瓷艺术是粘土的艺术,粘土具有极强的艺术表现性,不仅可以塑造出万事万物的形态,而且在色彩、质感等方面也具备极强的表现力。肌理作为材质本体的一种外在状态,因此在艺术表现中尤为重要。通过研究粘土表现肌理的效果,可以探索陶瓷艺术材料与其它材料之间的联系。笔者通过对肌理的类别和肌理产生的方法进行分析,探索陶艺肌理语言与艺术创作的融合。从陶瓷材料出发,比较多种创作方法对肌理效果产生的不同影响,从而探讨如何将技法与陶瓷肌理语言创作相融合。Ceramic art is the art of clay. Clay has a strong artistic expression effect, which can not only shape the form of everything, but also has a strong presentation in color, texture and other aspects in the creation of art. Texture is an external state of material ontology, so it is particularly important in artistic expression. By studying the effect of clay texture, we can explore the relationship between ceramic art materials and other materials. This article explores the integration of ceramic texture language and artistic creation by analyzing the category of texture and the method of texture generation. Starting from ceramic materials, compare the different effects of various creation methods on the texture effect, so as to explore how to integrate the technique with the ceramic texture language creation.

关 键 词：陶瓷肌理 艺术创作 陶瓷艺术 

分 类 号：TQ174.74[化学工程—陶瓷工业]