两晋“碑文似赋”说补证  

Supplementary Evidence of the Theory That“Inscriptions Are Like Fu”in Jin Dynasty

作　　者：雷恩海[1] 欧阳一锋 LEI En-hai;OUYANG Yi-feng(College of Literature,Lanzhou University,Lanzhou 730000,China)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《聊城大学学报（社会科学版）》2024年第1期82-93,共12页Journal of Liaocheng University:Social Science Edition

基　　金：甘肃省高等学校产业支撑计划项目(2022CYZC-09):陇右文献、文化遗存与甘肃文化建设研究。

摘　　要：碑文于两晋之时多为叙述性,近于赋之铺陈,故易受赋影响,常主动借鉴赋之写法。两晋碑文沿袭汉碑传统,在题材、句式、用韵上多与辞赋“同体异用”,且常以赋家笔法叙述碑主家族功勋、描绘历史背景、敷陈碑主德行事业,使得碑文辞采增华,赋化倾向更为明显。“碑文似赋”实与魏晋文学自觉相关,援赋笔破体为文,虽使碑文一改汉魏体制,篇幅增长,但在整体上增强了其文学性、可读性和感染力,强化了其文学张力,使得泛文学观念落到了实处。Inscriptions in the Jin Dynasty were mostly narrative,close to the exposition of Fu,so they were easily influenced by Fu,so they often took the initiative to learn from the writing of Fu.The inscriptions in the Jin Dynasty follow the tradition of Han steles,and are often used in the same way as Ci Fu.They often describe the merits of the family of the stele owner,describe the historical background,and enrich the cause of virtue,which makes the inscriptions more colorful and more obvious.“Inscription is like Fu”is actually related to the conscious literature of Wei and Jin Dynasties.The writing style of Fu-aid is broken into a text,which makes the inscription change the system of Han and Wei Dynasties and increase its length,but on the whole,it enhances its literariness,readability and appeal,strengthens its literary tension,and makes the concept of pan-literature fall into practice.

关 键 词：两晋 碑文似赋 赋心 赋迹 补证 

分 类 号：I206.2[文学—中国文学]