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作 者:陈珂 CHEN Ke
机构地区:[1]中央戏剧学院戏剧教育系
出 处:《戏剧艺术》2024年第1期35-50,共16页Theatre Arts
基 金:中央戏剧学院重大项目“戏剧三论:戏剧发生论、构成论、发展论研究”(YNZDA2002)的阶段性成果。
摘 要:人工智能识别技术超越传统思维,将表象性格与卷积神经网络相结合,能从戏剧文本中提取人物性格特征,与表象性格的五大性格维度进行对比与映射,重新解构和建构剧中人物性格。利用人工智能,可在对经典人物麦克白的性格分析中进行创新性动态调整和平衡,在不同维度对其心理状态展开对峙与整合。智能化人物性格分析更深入、更多维度地解构和建构了人类性格模态,同时为戏剧研究和教学带来了新趣味、新方法和新思路。AI intelligence recognition technology surpasses traditional thinking,combining apparent personality with convolutional neural networks to extract character personality traits from drama texts,compare and map them with the five dimensions of apparent personality,and reconstruct and construct the characters in the play.Taking the classic character of Macbeth as an example,how to innovatively adjust and balance the analysis of Macbeth's character dynamically,and how to confront and integrate his psychological state in different dimensions?Intelligent character personality analysis deconstructs and constructs the human personality modality in a deeper and more dimensional way,bringing new methods and ideas to drama research and teaching.
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