基于叙事角度看物哀美学在《细雪》中的渗透  

The Infiltration of Materialistic Sadness Aesthetics in“The Makioka Sisters”from a Narrative Perspective

作　　者：于佩 YU Pei(School of Foreign Languages,Henan University of Animal Husbandry and Economy,Zhengzhou Henan 450000,China)

机构地区：[1]河南牧业经济学院外国语学院,河南郑州450000

出　　处：《湖北开放职业学院学报》2024年第4期192-194,共3页Journal of Hubei Open Vocational College

基　　金：河南省教育厅2020年人文社会科学研究一般项目“江户时代日本朱子学者对中国儒学的吸收与应用”(项目编号:2020-ZDJH-009)。

摘　　要：在《细雪》这部小说中,物哀美学可以被视为一个重要的叙事元素。本文将基于对物哀美学的文学艺术特点分析,探究《细雪》在人物形象刻画方面对于物哀美学的渗透策略,进一步结合叙事视角,针对物哀美学在《细雪》中艺术表现形式进行分析,了解《细雪》物哀美学艺术表达对现代文学艺术作品创作的启示。In the novel“The Makioka Sisters”,the aesthetics of material sadness can be regarded as an important narrative element.Based on the analysis of the literary and artistic characteristics of the aesthetics of material sorrow,this paper will explore the infiltration strategy of the aesthetics of material sorrow in the characterization of characters in“The Makioka Sisters”,further combining the narrative perspective,analyze the artistic expression forms of the aesthetics of material sorrow in“The Makioka Sisters”,and understand the enlightenment of the artistic expression of the aesthetics of material sorrow in“The Makioka Sisters”on the creation of modern literary and artistic works.

关 键 词：叙事角度 物哀美学 《细雪》 渗透 

分 类 号：I106[文学—世界文学]