梅花落玫瑰兴:花之喻与中国近现代文学女性的情感嬗变  

From Plum Blossom to Rose:Flower Metaphors and The Emotional Transformation of Chinese Modern Female Writers

作　　者：王桂妹[1] Wang Guimei(Jilin University)

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《武汉大学学报（哲学社会科学版）》2024年第2期80-91,共12页Wuhan University Journal：Philosophy & Social Science

基　　金：吉林省社会科学基金项目(2021B197)。

摘　　要：中国近现代历史的巨变推动着国人的情绪样貌也发生了深刻的转变,“情与爱”突破传统礼教的束缚上升为中国社会生活和文化生活的重要参数,尤其对女性解放产生了空前的影响,借助文学女性笔下的“花之喻”便可豹窥中国近现代女性的情感嬗变。以秋瑾、徐自华、吕碧城、张默君等为代表的第一代知识女性偏爱梅花,她们的咏梅诗既继承了传统文人借花比德的精神传统,也展露出近代知识女性各具风采的情感特征。随着新文化运动的兴起,承载着现代爱情意蕴的玫瑰取代传统梅花成为新文学女性热烈情感和自由追求的载体。但是,源自西方的爱情玫瑰舶来本土之后却发生了有趣的形变,由“夜莺玫瑰”转变成“杜鹃玫瑰”并在玫瑰的颜色上有了红白之分,由此透露出新文学女性情感嬗变中传统与现代的交汇状态。The great changes in Chinese modern history has brought profound transformation in the emotional topography.Love,breaking free from the constraints of traditional ethics and becoming an important parameter in Chinese social and cultural life,has played a particularly important role in Chinese women's liberation.A peek at flower metaphors in modern women's writings may reveal their emotional transformation.The first generation of Chinese intellectual women,represented by Qiu Jin,Xu Zihua,Lv Bicheng and Zhang Mojun,prefer to chant plum blossoms,which not only inherited the spiritual metaphor of flowers from traditional literati but also shows their own new emotion of times.With the rise of the New Culture Movement,roses instead of plum blossoms become the new favorite of the new literary women to express their passionate emotion and pursuit of freedom.Intriguingly,the exotic love rose has undergone a metamorphosis in the new literary women's works.On one hand,the"nightingale rose"became the"cuckoo rose".On the other hand,they admired white rose more than red rose.All of these transformations revealed the traditional emotional orientation of intellectual women in the new era.

关 键 词：梅花 玫瑰 情感嬗变 文学女性 

分 类 号：I207.4[文学—中国文学]