布莱希特《四川好人》中的悖论  

The Paradox in Brecht’s The Good Person of Sichuan

作　　者：何玉蔚 HE Yu-wei(College of Arts,University of Chinese Academy of Social Sciences,Beijing 102488,China)

机构地区：[1]中国社会科学院大学文学院,北京102488

出　　处：《长春工程学院学报（社会科学版）》2023年第4期67-70,共4页Journal of Changchun Institute of Technology(Social Sciences Edition)

摘　　要：悖论paradox来自希腊语,意思是“多想一想”。古今中外有不少著名的悖论,它们震撼了逻辑和数学的基础,激发了人们求知和精密的思考。布莱希特善于从五花八门的知识领域中获得启示,用于自己的文学创作,使之在形式上和内容上打破各种学科领域的界限,分析《四川好人》中的悖论,并探究其产生的原因:布莱希特青少年时期对悖论就比较熟悉,中国古典哲学和法国启蒙主义运动对布莱希特的影响以及他独特的戏剧美学思想。Paradox comes from the Greek word for“think more”,there are many famous paradoxes,which have shocked the foundation of logic and mathematics and stimulated people’s curiosity and precise thinking.Brecht was good at drawing inspiration from various fields of knowledge for his own literary creation,and to break the boundaries of various subject areas in form and content.This paper analyzes paradox in The Good Person of Sichuan and explores the reasons for its creation:Brecht was familiar with paradoxes in his adolescence,and with the influence of Chinese classical philosophy and French Enlightenment movement as well as his unique aesthetic thought of drama.

关 键 词：悖论 理性 陌生化 戏剧 

分 类 号：I516.073[文学—其他各国文学]