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作 者:木斯 王赫德 郑国华 MU Si;WANG Hede;ZHENG Guohua(School of Design,Inner Mongolia Normal University,Hohhot 010022,China;Academy of Fine Arts,Minzu University of China,Beijing 100081,China;School of Design,Inner Mongolia University of Art,Hohhot 010010,China)
机构地区:[1]内蒙古师范大学设计学院,呼和浩特010022 [2]中央民族大学美术学院,北京100081 [3]内蒙古艺术学院设计学院,呼和浩特010010
出 处:《丝绸》2024年第3期133-142,共10页Journal of Silk
基 金:国家社会科学基金艺术学项目(21CG190)。
摘 要:科尔沁蒙古族女性敖吉多以黑色绸缎面料制作,缘边以库锦、织锦装饰,敖吉上以花卉为主的刺绣图案具有较强的识别性与代表性,与其他蒙古族部族的服饰风格形成鲜明对比。文章以实物样本为基础,从款式结构、色彩特征、装饰形式、图案寓意等方面对科尔沁女性敖吉的装饰特征进行解读。研究表明:科尔沁蒙古族女性敖吉以中华传统服饰“十”字形结构为缘,形成了以“十”字形中心为视角的局部装饰特征。“点”“线”“面”的图案构成形式,以一种看似“无秩序”构图分布,呈现“空”与“满”“虚”与“实”“繁”与“简”的强烈对比。以花卉为主的装饰图案虽受绣面布幅空间局限,但绣面内“满”绣的刺绣形式构成了主次分明、和谐有序的图案布局,凸显当地人以“满”为美、以“多”为贵的审美喜好,映射出科尔沁蒙古族女性敖吉在装饰形式上展现的独特灵动之美与感性之美。Horqin Grassland is located in Tongliao city in the northeast of Inner Mongolia,and was once divided into six banners of Horqin left and right(front,middle and back).In Mongolian,Horqin is pronounced “Khorchins”,meaning “the archer”.“Aoji” means the long waistcoat or shoulder-length long coat.“Aoji” of Mongolian women in Horqin is made of black satin fabric and decorated with kujin and brocade at the edges.The embroidery patterns mainly based on flowers on Aoji are highly identifiable and representative,and are in sharp contrast with the clothing styles of other Mongolian tribes.This paper used the ethnological field investigation method to interpret the decorative features of female Aoji in Horqin from the aspects of style structure,color features,decorative forms and pattern meanings,based on the physical samples obtained through the field investigation and related literature.Three important conclusions are drawn from the research.First,Horqin Mongolian females' Aoji is based on the cross-shaped structure of traditional Chinese clothing,forming a local decorative feature with the cross-shaped center as the angle of view.The pattern composition form of “dot”,“line” and “face” presents a strong contrast of “emptiness” and “fullness”,“virtuality” and “reality”,as well as “complexness” and “simpleness” in a seemingly “no order” composition distribution.Second,although the decorative patterns dominated by flowers are limited by the embroidery space,the embroidery form of “full” embroidery in the embroidery surface constitutes a clear,harmonious and orderly pattern layout,highlighting the local people's aesthetic preferences of “fullness” as beauty and “abundance” as value,and reflecting the unique intelligent beauty and perceptual beauty displayed by Horqin Mongolian females' Aoji in the decorative form.Third,the embroidery patterns dominated by flowers in Horqin Mongolian females' Aoji mainly originated from nature.Such flower decoration is not onl
关 键 词:科尔沁蒙古族 敖吉 装饰艺术 花卉 感性之美 美学特征
分 类 号:TS941.12[轻工技术与工程—服装设计与工程] K892.23[历史地理—民俗学]
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