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作 者:苏喜庆 SU Xiqing(School of Literature and Law,Henan University of Science and Technology,Xinxiang,Henan 453003,China)
出 处:《广州大学学报(社会科学版)》2024年第1期107-117,共11页Journal of Guangzhou University:Social Science Edition
基 金:国家社会科学基金重大招标项目(18ZDA277);河南省青年骨干教师培养计划项目(2020GGJS169)。
摘 要:文艺的融媒体化传播,不仅是技术融合的过程,也是融合文化不断进化的历程。融媒体具有潜在的技术美学组构逻辑,从“媒介语言—技术现实—媒体叙事—科技审美”的研究路径出发,审视数据库和界面导航带来的媒体混编语言特征,可以发现其对于人的思维方式的深度冲击和影响;进而观照融合文化形态中的融媒体文学艺术,可以探索出融媒体语言的内在运行逻辑,从而勾勒出融媒体融合美学的审美构造和空间架构。在这种美学架构新变中,融媒体数据库是存储信息的“大脑”中枢,它的参与使得“复合现实”成为未来现实景观呈现的主要方式;“组合叙事”成为融媒体网络中信息内容传递的主要形式,具有时空伸缩性和弹性特征;视觉融合与空间审美相互渗透,进而建构出融媒体美学的特色。The media communication of literature and art is not only a process of technology integration,but also a process of continuous evolution of integrated culture.Blended media has the potential logic of technical aesthetics.Starting from the research path of″media language-technical reality-media narrative-technical aesthetics″,we can find its deep impact and influence on people's way of thinking by examining the language characteristics of mixed media brought by database and interface navigation.Then,by observing the literature and art of media integration in the cultural form,we can explore the internal operating logic of media integration language,and thus outline the aesthetic structure and spatial structure of media integration aesthetics.In this new change of aesthetic architecture,the media database is the″brain″center for storing information,and its participation makes″composite reality″the main way to present the future realistic landscape;″combined narrative″has become the main form of information content transmission in the media network,which has the characteristics of time and space flexibility and elasticity;visual fusion and spatial aesthetics penetrate each other,and then the characteristics of media aesthetics are constructed.
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