超越景观的“词”与“物”:中国当代电影中风景的三重演绎  

″Words″ and ″Objects″ Beyond Landscape:Triple Interpretation of Landscape in Contemporary Chinese Movies

作　　者：林静 LIN Jing(School of Literature and Communication,Hubei Minzu University,Enshi,Hubei 445000,China)

机构地区：[1]湖北民族大学文学与传媒学院,湖北恩施445000

出　　处：《广州大学学报（社会科学版）》2024年第1期152-163,共12页Journal of Guangzhou University:Social Science Edition

基　　金：湖北省教育厅哲学社会科学研究项目(22Q142);湖北民族大学校内科研项目(XN2330)。

摘　　要：中国当代电影关于风景的讨论,常从“寄情于景”等美学意境层面展开,显然这一向度未能言及风景的文化实践、视觉批判等多重面向。对“风景与电影”进行不同层面的分析发现尚未形成一定的研究体系。在中国当代电影中承担着多重话语实践,影像中的风景既是“物”的呈现,又昭示着“词”的指向。当代电影中风景存在着三重演绎及其互动关系:作为“词”的风景,意在从人赋予“原初-大地”的主体意识、象征意涵、质料特质的“景”出发,探寻影像中的自身与主体隐喻之间的关联;作为“物”的风景,经由影像勾勒“器具-真实”的物之物象,来确认人与“世界”的连接;最后超越“词与物”的“真理-风景”,赋予了“我”与“世界”的“触媒”,是“敞开-境域”与想象能指。风景散溢在有限荧幕画幅内与无限延展空间外的双向维度上发出了超越“词”与“物”的影像表达与文化诘问。The discussion of landscape in contemporary Chinese cinema is often carried out from the aesthetic artistic conception level of″expressing feelings on the landscape″,which obviously fails to address the cultural practice,visual criticism and other aspects of landscape.The analysis of″landscape and film″at different levels found that a certain research system has not yet formed.It undertakes multiple discourse practices in contemporary Chinese films.The scenery in the image is not only the presentation of″things″,but also the direction of″words″.There are three interpretations of landscape in contemporary films and their interactive relationships:as a″word″,the landscape is intended to explore the relationship between the image itself and the subject metaphor from the perspective of the″scene″endowed with the subjective consciousness,symbolic meaning,and material characteristics of″primordial Earth″;as the scenery of″objects″,the connection between man and the″world″is confirmed by outlining the image of″appliances-real″objects;finally,the″truth-scenery″,which transcends″words and things″,endows″catalyst″to″I″and″world″,which is″open context″and imaginative signifier.The landscape spreads over the image expression and cultural interrogation beyond″words″and″objects″in the two-way dimension of the limited screen frame and the infinite extended space.

关 键 词：风景 词与物 中国当代电影 景观 

分 类 号：J901[艺术—电影电视艺术]