基于传统色彩观下的工笔人物画发展研究  

Research on the Development of Gongbi Figure Painting Based on Traditional Color Concept

作　　者：屈文贺 Qu Wenhe(School of Arts&Communication,Beijing Normal University)

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《色彩》2023年第12期105-107,共3页Fashion Color

摘　　要：在传统色彩观的指导下,工笔人物画经历了长期的发展和演变,逐步形成了其独特的色彩应用风格,尤其是色彩的运用与时代背景、社会风尚和个人情感紧密相关,反映了画家丰富的情感态度。同时,当代工笔人物画在继承传统的基础上,也在探索新的表现手法和色彩应用,反映了现代社会的审美变化和文化需求。据此,本文将对传统色彩观进行深入阐释,并以此为基础探讨工笔人物画的色彩表现,提出如何在当代创作中加以运用与创新,旨在增强传统色彩观与当代工笔人物画的融合,积极促进艺术创新的水平与活力,做到立足传统、笔随时代,在追求技法创新的同时,更加注重提升作品的文化品格和审美境界,强调传统色彩观的现代转化。Under the guidance of traditional color concepts,meticulous figure painting has undergone long-term development and evolution,gradually forming its unique color application style.Especially,the use of color is closely related to the historical background,social trends,and personal emotions,reflecting the painter's rich emotional attitude.At the same time,contemporary meticulous figure painting inherits tradition and explores new expressive techniques and color applications,reflecting the aesthetic changes and cultural needs of modern society.Based on this,this article will provide an in-depth explanation of the traditional color concept,and explore the color expression of Gongbi figure painting on this basis.It proposes how to apply and innovate it in contemporary creation,aiming to enhance the integration of traditional color concept and contemporary Gongbi figure painting,actively promote the level and vitality of artistic innovation,and achieve a foothold in tradition and keeping pace with the times.While pursuing technological innovation,it also pays more attention to improving the cultural character and aesthetic realm of the work,Emphasize the modern transformation of traditional color concepts.

关 键 词：传统色彩观 工笔人物画 色彩表现 发展创新 

分 类 号：J212[艺术—美术]