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作 者:杨艳玥 高燕[1] YANG Yanyue;GAO Yan(College of Sericulture Textile and Biomass Sciences,Southwest University,Chongqing 400715,China)
机构地区:[1]西南大学蚕桑纺织与生物质科学学院,重庆400715
出 处:《纺织科技进展》2024年第2期37-43,共7页Progress in Textile Science & Technology
基 金:重庆市级人文社科研究项目(21SKGH319)。
摘 要:大理剑川白族布扎作为白族民间文化的重要载体,呈现出鲜明的民族特征;因其独特的地理位置和历史文化背景,促使当地白族布扎汇集了多元文化。通过田野考察并结合文献资料,以设计学的审美视角出发,从题材分类、造型特征、用色观念3个方面探讨大理剑川白族布扎艺术特征。通过采用图像分析法,对比不同传承人的布扎样式,分析其设计特点,展示了大理剑川白族布扎艺术风格的造型规律和美学形态,为布扎这一非物质文化传承与创新应用提供借鉴和参考。As an important carrier of Bai folk culture,Buza of Bai nationality in Jianchuan,Dali has its distinctive national characteristics.Because of its unique geographical location and historical and cultural background,the local Bai nationality Buza have gathered diverse cultures.Based on field investigation and literature,the artistic characteristics of Buza of Bai nationality in Jianchuan,Dali were summarized from three aspects:subject classification,shape feature and color concept from the perspective of aesthetic design.By using image analysis,the Buza styles of different inheritors were compared,their design characteristics were analyzed,while the modeling rules and aesthetic forms of the artistic style of Bai nationality Buza in Jianchuan,Dali were displayed,providing reference for the inheritance and innovative application of the intangible culture of Buza.
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