叙述声音、叙述聚焦与重塑女性话语权威——再论《战争中没有女性》的视听叙事艺术  

Narrative Voice,Narrative Focus and Reshaping Female Discourse Authority:On the Audiovisual Narratives Strategy of The Unwomanly Face of War

作　　者：吴静之 WU Jingzhi

机构地区：[1]南开大学文学院 [2]俄罗斯喀山联邦大学

出　　处：《广东外语外贸大学学报》2024年第1期103-112,共10页Journal of Guangdong University of Foreign Studies

基　　金：国家留学基金管理委员会“高水平大学国家公派研究生项目”(202306200129);重庆市社会科学规划特别委托一般项目“新时代文明实践与习近平新时代中国特色社会主义思想传播研究”(2023TBWT08);天津市研究生科研创新项目“俄罗斯大文化语境中的阿列克谢耶维奇研究”(2021YJSB064)。

摘　　要：研究者们大多以女性主义理论分析《战争中没有女性》的女性形象,也有批评者论述其复调艺术。但对于阿列克谢耶维奇是通过何种叙述方式来确立女性权威的问题尚未进行解读。作品通过多重叙述聚焦展示了参战女兵们对苏联卫国战争的群体记忆,而对女兵们感官世界和精神世界的“非虚构”描述,既隐晦地表达了俄苏男权社会对女性声音的遮蔽,也展现了女性的边缘身份以及重塑女性话语权威的意图。本文从叙述聚焦和叙述声音着手,深入分析作品中潜在的解构话语,即对男性话语权的解构和对女性话语权的建构,以探讨作家重构战争图景和重塑女性话语权威的创作实践。Most researchers analyze the female images of Svetlana Aleksievich’s The Unwomanly Face of War with the feminist theory,and some critics discuss the polyphonic art in works.However,there is no interpretation on how to establish female authority through the way of narrative.Through the multiple narrative focuses,the works shows the group memory of the female soldiers who participated in the Great Patriotic War,and the“non-fictional”description of the female soldiers’sensory world and spiritual world not only expresses the shielding of women’s voice in the patriarchal society implicitly,but also shows the marginality of women and the intention of reshaping the authority of female discourse.This paper analyzes the potential deconstruction discourse from the narrative focus and the narrative voice,that is,the deconstruction of the male discourse right and the establishment of the female discourse right,in order to explore the writer’s creative practice of reconstructing the picture of war and reshaping the female discourse authority.

关 键 词：阿列克谢耶维奇 《战争中没有女性》 叙述聚焦 叙述声音 话语权威 

分 类 号：I317-074[文学—其他各国文学]