寂静的喧嚣——约恩·福瑟戏剧的内在观演互动  

Silent Sound:The Inner⁃communication between Actors and Audiences in Jon Fosse's Plays

作　　者：夏纪雪 XIA Jixue

机构地区：[1]华中师范大学外国语学院

出　　处：《广东外语外贸大学学报》2024年第2期77-86,共10页Journal of Guangdong University of Foreign Studies

基　　金：国家社科基金艺术学重大课题“当代欧美戏剧研究”(19ZD10)。

摘　　要：约恩·福瑟的戏剧作品以极简的风格见长,所传递的信息十分隐晦和有限,原因在于他的作品只是“情感的框架”———通过简化语言和故事背景设定,福瑟为观众和演员在代入人物、理解语言和情感体验上创造了自由的空间,让二者主动地、充分地参与作品、展露自我,同时受限于有限的语言和动作,观众和演员只能在沉默中“对峙”,践行其“真实不宣于口”的宗旨。福瑟通过其特殊的写作技巧,唤起观众及演员的内在体验,并以作品为媒介体现出一种内在的互动方式。Jon Fosse's plays are characterized by a simple style,conveying a very subtle and limited message,since his plays are only“emotional frames”.By simplifying the language and settings,Fosse creates a free space for both the audience and the actors in terms of character,language and emotional experience,allowing them to actively and fully participate in the play and reveal themselves.Yet,being restricted by limited language and movement,both of the audience and the actors can only“confront each other”in silence,thus fulfilling the aim of his play as to keep the truth from being declared by spoken word.By his unique techniques,Fosse evokes the inner experience of the audience and the actors,as well as the inner⁃communication embodied through his plays.

关 键 词：约恩·福瑟 内在观演互动 体验唤起 主动参与 对峙 

分 类 号：I106.3[文学—世界文学]