论科伦·麦凯恩《舞者》的空间与身份认同  

On Space and Identity in Colum McCann's Dancer

作　　者：曾桂娥[1] 许九霞 ZENG Guie;XU Jiuxia

机构地区：[1]上海大学外国语学院 [2]宿迁学院外国语学院

出　　处：《广东外语外贸大学学报》2024年第2期142-150,共9页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金项目“当代爱尔兰小说个体叙事与民族建构研究”(23BWW059)。

摘　　要：爱尔兰裔美国作家科伦·麦凯恩在根据苏联著名舞蹈家鲁道夫·纽瑞耶夫为原型的虚构性传记《舞者》中深入探寻了空间与身份的关系,让历史人物在不同维度的空间中体验个体的生存危机与身份建构,借以钩沉历史浪潮中的人物命运。麦凯恩创造性地提出“以艺术为媒介,以情感为支撑,以自我为归属”来疗愈精神创伤和重塑个体身份,拓展了空间和身份认同的外延,为流动中的个体寻求心灵归属、实现诗意地栖居提供了希望。Based on the life of the famous Soviet dancer Rudolf Nureyev,Irish-American writer Colum McCann in his fictional biography Dancer explores exhaustively the relation between space and the individual's identity,in which the historical figures undergo the existential crisis and identity reconstruction,unfolding the fate of the individuals in the waves of history.McCann ingeniously proposes to adopt art,emotion and self to heal mental trauma and reconstructs personal identity,which enriches the concept of space and identity,bringing hope for individuals in social mobility to seek belonging and dwelling poetically.

关 键 词：科伦·麦凯恩 《舞者》 空间 身份 流动 

分 类 号：I106.4[文学—世界文学]