杜诗“细柳新蒲”意象创造对古代诗歌的影响  

The influences of imagery creation“slender willows and new cattails”in Du Fu’s poems on ancient Chinese poetry

作　　者：王昌茂 WANG Changmao(School of Literature,Guizhou Normal University,Guizhou 550000,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550000

出　　处：《江苏理工学院学报》2024年第1期29-34,共6页Journal of Jiangsu University of Technology

基　　金：教育部全国高校古委会项目“《吴绮全集》点校”(1615)。

摘　　要：杜甫在至德二载春写的著名诗歌《哀江头》中,用“细柳新蒲”这一意象表达对国家的兴亡之感,抒发哀伤愁苦之情,这一意象的使用及内涵表达是杜甫首创,影响了后世的诸多诗人。宋人在杜诗基础上丰富和发展了这一意象内涵,在描写自然景观、抒发兴亡之感方面,使其成为典故使用流传下来;而明诗人在描写自然景观与表达个人哀伤内涵方面使用这一意象较为集中。至集大成的清代,清诗人开拓了这一意象在咏史怀古方面的运用,且在国家兴亡、个人哀伤、自然景观内涵方面,都对这一意象的使用有所延伸和拓展。In Ai Jiangtou,a famous poem written by Du Fu in the second spring of Zhide(757),he used the imageries of“slender willows and new cattails”to express his feelings for the rise and fall of Tang Dynasty,and his personal sadness and sorrows.Du was the first poet who utilized these imageries to express the connotation,which influenced many poets in later generations.The poets in the Song Dynasty enriched and developed the imagery connotations based on Du’s poetry.They made them allusions to be passed down by describing natural landscapes and expressing feelings of rise and fall.The poets in the Ming Dynasty were more likely to use these imageries to do so.It was not until the Qing Dynasty that the poets began to use these imageries to recite history and nostalgia,and expanded the connotations in terms of national rise and fall,personal sorrows and natural landscapes.

关 键 词：杜诗 细柳新蒲 影响 后世诗歌 

分 类 号：I206[文学—中国文学]