论福瑟对贝克特戏剧美学的继承与发展  

On the Inheritance and Extension of Beckett in Jon Fosse's Writing

作　　者：周沁寒 ZHOU Qinhan

机构地区：[1]上海戏剧学院戏文系

出　　处：《广东外语外贸大学学报》2024年第3期121-130,共10页Journal of Guangdong University of Foreign Studies

摘　　要：2023年诺贝尔文学奖获得者约恩·福瑟是当代世界剧坛的重要人物。福瑟的戏剧在语言策略和人物形象塑造等方面流露出贝克特式的后现代主义戏剧特征,从中不难发现贝克特对福瑟戏剧创作产生的深远影响。然而,福瑟并未满足于仅追随这位前辈,他在创作中结合当代戏剧发展特点和民族文学传统,在对贝克特艺术手法辩证吸收的基础上,进一步探索了当代戏剧中时间和空间的边界。福瑟对贝克特戏剧美学的继承与发展,显示了贝克特之于当代戏剧的价值,亦指出戏剧发展的新可能。Jon Fosse is a significant figure in contemporary theater and awarded the 2023 Nobel Prize in Literature. Fosse's plays display Beckett's postmodern dramatic elements in terms of language usage and character strategy, and it is not hard to see how much of an influence Beckett had on Fosse's dramatization. Fosse, on the other hand, did not blindly follow the footsteps of this predecessor. In his composition, he merged elements of the emerging contemporary works with the literary heritage of the country. Based on the dialectical absorption of Beckett's creative ideas, he also examined the boundaries of spatial connections and time and space in contemporary theater. Apart from exemplifying Beckett's significance for contemporary theater, Fosse's assimilation and progression of his dramatic ideas provide fresh perspectives for the genre's progress.

关 键 词：约恩·福瑟 萨缪尔·贝克特 后现代戏剧 继承 

分 类 号：I106.3[文学—世界文学]