唐卡中的圣救度母绘画与女性成佛观  

Painting of Divine Salvation Tara in Thangka and the view of women becoming Buddhas

作　　者：刘子玉 LIU Ziyu

机构地区：[1]浙江理工大学

出　　处：《时尚设计与工程》2024年第1期59-61,共3页The Journal of Fashion Design and Engineering

摘　　要：佛教在传到中国的过程中不断被本土化,形成了特有的中国佛教文化。隋唐大一统时期,佛教美术经过藏族工匠之手融入到他们的作品中,佛教美术作为佛教教义的重要载体,唐卡绘画中也蕴含着藏族的民族特色,结合藏民信仰创作出的圣救度母等绘画作品体现了女性成佛观的影响。Buddhism has been continuously localized during its transmission to China,forming a unique Chinese Buddhist culture.During the Sui and Tang Dynasties,Buddhist art was integrated into their works by the hands of Tibetan artisans.As an important carrier of Buddhist teachings,Buddhist art also contained Tibetan national characteristics in Thangka paintings,which combined with Tibetan beliefs to create paintings such as Holy Salvation Tara,reflecting the influence of female Buddhas.

关 键 词：唐卡 度母 女性成佛观 

分 类 号：B94[哲学宗教—宗教学]