宋代儒学礼制世俗化在仿古佩玉中的体现  

Secularization of confucian rituals in Song Dynasty antique jade

作　　者：俞超静 凌雯[1] YU Chaojing;LING Wen

机构地区：[1]浙江理工大学

出　　处：《时尚设计与工程》2024年第1期62-64,共3页The Journal of Fashion Design and Engineering

基　　金：2022年浙江省教育厅一般科研项目《虚拟数字化引领下的宋代服饰用玉活态传承设计研究》(Y202250726)。

摘　　要：玉佩饰是中国古代服饰品发展的重要组成部分,具有重要的历史研究价值。宋代仿古佩玉仿制前人之作,两者相似又不同,展现出传承与创新的文化发展特质。以出土和传世佩玉、图像及文献资料为依据进行三重互证,分析仿古佩玉的造型特征与象征内涵。研究认为,宋代仿古佩玉中的工艺、纹样展现了鲜活的宋代社会,仿古佩玉的兴盛源于宋人金石复古风气的盛行,同时展现了礼制世俗化对维系国家统治的需要。Jade pendant is an important part of the development of ancient Chinese costume items and has important historical research significance and value.The imitation of Antique Jade in the general context of the Song Dynasty imitates the work of its predecessors,both similar and different,showing the qualities of cultural development of inheritance and innovation.The rise and development of antique jade imitation in the social environment of the time were explored,and the stylistic features and symbolic connotations of antique pendant were analyzed.It was concluded that the craftsmanship,shape and pattern modelling in Song Dynasty antique jades showed the vivid Song Dynasty society,and that the prosperity of antique jade imitations stemed from the prevalence of the Song Dynasty people's culture of restoration.It also demonstrated the need for secularization of the ritual system to maintain state rule.

关 键 词：宋代 世俗化 仿古佩玉 儒学礼制 

分 类 号：K87[历史地理—考古学及博物馆学]