浅析沈阳故宫东所外檐彩画样式艺术内涵  

An Analysis of the Artistic Connotation of the Style of Color Painting on the Eaves of the Shenyang Imperial Palace East

作　　者：蒋箐 王鹤[1] 

机构地区：[1]沈阳建筑大学设计艺术学院

出　　处：《建筑与文化》2024年第1期277-279,共3页Architecture & Culture

基　　金：辽宁省教育厅《沈阳故宫博物院专业学位研究生培养基地》(项目编号:辽教函[2018]382号)。

摘　　要：文章以沈阳故宫东所建筑外檐彩画为界定对象,从彩画的样式类型、构图规律、纹饰寓意等方面入手,采用实地调研、数字模拟等研究方法,厘清了东所各建筑外檐彩画的样式规制,科学地解读其艺术特征以及背后所蕴含的中华儒家礼制思想内涵,在理论上为沈阳故宫建筑特色的研究以及中国建筑彩画的发展情况提供补充。The paper defines the eaves painting of the East Building of the Shenyang Imperial Palace as the object,starting from the style type of painting,composition rules,ornaments and other aspects,using field research,digital simulation and other research methods to clarify the style rules of the eaves painting of the East Building,scientific interpretation of its artistic characteristics and the connotation of the Chinese Confucian Ritual Thought behind it,in theoretical research for the architectural characteristics of the Shenyang Imperial Palace and the development of Chinese architectural painting to provide additional.

关 键 词：沈阳故宫 外檐彩画 清官式彩画 儒家礼制思想 

分 类 号：TU-851[艺术—艺术设计] TU-092[建筑科学—建筑设计及理论]