文化基因视域下中国年画的海外收藏与影响力研究  

The Overseas Collection and Influence of Chinese New Year Pictures from the Perspective of Cultural Genes

作　　者：王坤[1] 张悦 Wang Kun;Zhang Yue(School of Humanities and Arts,Tianjin University,Tianjin 300072,China;School of Architecture,Tianjin University,Tianjin 300072,China)

机构地区：[1]天津大学人文艺术学院,天津300072 [2]天津大学建筑学院,天津300072

出　　处：《天津大学学报（社会科学版）》2024年第2期184-189,共6页Journal of Tianjin University：Social Sciences

基　　金：中国侨联青年项目(22CZQK208).

摘　　要：中国年画在海外的收藏与展示表明国外对中国民间美术的热衷早于中国本土。流传海外的年画内容、图示、传播路径与存在样态,既阐释了传统民艺的精髓,又深化了中国民间美术跨境传播的认同理论。分析以年画为代表的中国民艺自发地与各地区文明之间进行的有机联系与互动,剖析海外对中国年画持续收藏与影响力研究,有利于提升中国传统民间艺术的对外传播力,使以年画为代表的国家级“非遗”在充满活力的传承中不断发扬光大。The overseas collection and exhibition of Chinese New Year Pictures indicate that the enthusiasm for Chinese folk art in foreign countries predates that in China itself.The content,illustrations,dissemination paths and existence forms of overseas New Year Pictures not only elucidate the essence of traditional folk art,but also deepen the identity the-ory of cross-border dissemination of Chinese folk art.Analyzing the organic connections and interactions between Chinese folk art,represented by New Year Pictures,and various regional civilizations,along with exploring the reasons and con-sequences of the continuous collection,display,and research of Chinese New Year Pictures overseas,is conducive to en-hancing the external communication of traditional Chinese folk art,and enabling the national level intangible cultural heri-tage represented by New Year Pictures to continue to flourish in a dynamic inheritance.

关 键 词：年画 文化基因 海外 收藏 影响力 

分 类 号：J218.3[艺术—美术]