高凤翰《甘谷图》及其题跋——兼论康乾时期齐鲁文人书画交游  

Gao Fenghan's Gan'gu Valley and its Prefaces and Postscripts:Also on the Calligraphy and Painting Exchanges of Literati in Shandong during the Reign of Emperor Kangxi and Qianlong

作　　者：李彦霖 Li Yanlin(Advanced Institute for Confucian Studies,Shandong University;Academy of Arts,Qilu Normal University)

机构地区：[1]山东大学儒学高等研究院 [2]齐鲁师范学院美术学院

出　　处：《美术》2024年第2期118-123,共6页Art Magazine

基　　金：山东省社会科学规划研究项目《山东古代书画家流失美国作品的发掘整理研究》(项目编号:20DWYJ01)的阶段性研究成果。

摘　　要：《甘谷图》通景屏是济南市博物馆收藏的一幅重要的清代绘画作品,作者高凤翰为清代康、雍、乾时期著名画家、书法家、金石篆刻家,同时也是扬州画派的代表人物。此画尺幅巨大,是高凤翰为亲家王延格祝寿所绘,画面上有7位书画家的题咏,对于了解清代康乾时期的艺术创作及艺术家交流活动有很大的文献价值。对《甘谷图》及其题跋等相关问题,目前学界关注不多,此画蕴藏的信息弥补了相关著述的缺失,有必要对其进行系统的梳理与研究。The panoramic screen of the Gan'gu Valley, collected by the Ji'nan Museum, is an important painting created during the Qing Dynasty by Gao Fenghan, a famous painter, calligrapher and seal carver during the reign of Emperor Kangxi, Yongzheng and Qianlong and also a representative painter of the Yangzhou School. This large-scale painting, created to celebrate the birthday of his relative by marriage Wang Yan'ge, boasts prefaces and postscripts written by seven calligraphers and painters, which are of great value for understanding artistic creation and artists' exchanges during the reign of Emperor Kangxi and Qianlong. At present, little attention has been paid to issues regarding prefaces and postscripts of the painting in the academic community. The information contained in this painting makes up for the lack of relevant articles;therefore, it is necessary to carry out a systematic research on it.

关 键 词：高凤翰 甘谷图 扬州画派 文人书画交游 

分 类 号：J212[艺术—美术]