墨与戏——马忠贤水墨戏曲人物画的文化解读  

Ink Painting and Opera:Cultural Interpretation of Ma Zhongxian's Opera Figure-themed Ink Paintings

作　　者：荣侠 冯欣 Rong Xia;Feng Xin(College of Art,Suzhou University of Science and Technology;Qufu Normal University)

机构地区：[1]苏州科技大学艺术学院 [2]曲阜师范大学

出　　处：《美术》2024年第2期154-156,共3页Art Magazine

摘　　要：马忠贤水墨戏曲人物画通过重构绘画语言,将传统艺术元素与现代绘画艺术相结合,使之具有写意性与装饰性。画家透过戏曲文化窥探中国传统文化基因,重新定义了戏曲人物视觉艺术形象的形式构成,将戏曲人物的脸谱、服饰以及站位构图作为写意语言符号,借此突破了写实水墨人物绘画语言的规范性。By reconstructing painting language,Ma Zhongxian combines traditional art elements with modern painting art and creates freehand,decorative opera figure-themed ink paintings.The artist studies traditional Chinese culture through opera culture,redefines the visual image of opera characters,uses the facial makeup,costumes and positions of opera characters as freehand symbols,and thus breaks through the norms of realistic ink figure paintings.

关 键 词：水墨人物画 戏曲人物画 写意性 当代性 

分 类 号：J212[艺术—美术]