《涉过愤怒的海》:复仇叙事、伦理追问与作者表述  

Across the Furious Sea:Revenge Narration,Ethical Questioning,and Authorial Expression

作　　者：陈晓云[1] Chen Xiaoyun

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2024年第1期82-85,F0004,共5页Film Art

摘　　要：在影像文本表层,《涉过愤怒的海》是一位父亲为死于异国他乡的女儿复仇的故事,但其核心冲突却围绕死者和疑凶两个家庭的家长之间展开,由此,复仇故事便转换成了对当代中国家庭关系进行追问的伦理故事。导演曹保平在个人擅长的罪案叙事类型背后,始终潜隐着一种在类型叙事中呈现创作个性的作者表述,其作者特性不仅是关于电影形式层面的,也包括讲述故事的方法以及故事与人物所抵达的文化意指,而这又有着不同于“第五代”或“第六代”的新的“学院派”特质。On the surface of its film text,Across the Furious Sea is a story of a father's revenge for the death of his daughter in a foreign country,while the core conflict of this film is between the two families'parents of the deceased and the suspect.The story of revenge is transformed into an ethical story that asks questions about family relationships in contemporary China.Behind the crime narrative style that director Cao Baoping specializes in,there is always a latent authorial expression that embodies his creative personality in the genre narratives.This authorship is not only about the form of the film but also includes his method of storytelling,as well as the cultural references of the stories and characters.He has a new"collegial"quality that is different from that of the Fifth Generation or the Sixth Generation.

关 键 词：复仇 伦理 作者 学院派 

分 类 号：J905[艺术—电影电视艺术]