理查·施特劳斯《最后四首歌》创作风格及演唱技巧研究  

A Study on the Creative Style and Singing Techniquesin Richard Strauss’s Four Last Songs

作　　者：刘博[1] LIU Bo(Department of Vocal Music and Opera,Shenyang Conservatory of Music,Shenyang,Liaoning 110000,China)

机构地区：[1]沈阳音乐学院声乐歌剧系,辽宁沈阳110000

出　　处：《河北北方学院学报（社会科学版）》2023年第6期56-59,共4页Journal of Hebei North University：Social Science Edition

摘　　要：理查·施特劳斯的作品《最后四首歌》是人声与管弦乐的完美结合。它将声音演唱部分器乐化,演唱和乐队相统一,完美地展现了作曲家的创作特点与意图。深入探究这部作品的旋律特点、创作风格、演唱技巧及风格把握等方面内容,能进一步了解施特劳斯的创作目的,更好地解读施特劳斯艺术歌曲的独特魅力,把握及正确诠释这部声乐套曲所蕴含的深刻含义。Richard Strauss’s Four Last Songs exemplifies a meticulous fusion of voice and instruments.The harmonious unity of singing and instrumental tones perfectly showcases the composer’s distinctive creative characteristics and intentions.The detailed study on the melodic characteristics,creative style,singing techniques,and stylistic considerations can help better understand the composer’s creation intentions,profoundly interpret the unique charm of his art songs,and thoroughly grasp the deep meaning of this song cycle.

关 键 词：理查·施特劳斯 《最后四首歌》 旋律特点 演唱技巧 

分 类 号：J60[艺术—音乐]