清人对散曲的多重称谓考论  

A Study of the Multiple Titles of Sanqu in the Qing Dynasty

作　　者：王丹 WANG Dan(College of Literature,Jiangsu Normal University,Xuzhou 221116,China)

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《东华理工大学学报（社会科学版）》2023年第6期587-592,共6页Journal of East China University of Technology(Social Science)

基　　金：国家社会科学基金青年项目“民国散曲整理与研究”(22CZW038)。

摘　　要：清人对散曲文体的认识,因受前代词曲观的影响而呈现不同称谓。经文献考疏,相关称谓有十种,可分为从“词本位”衍生的词、词余、小令、叶儿,以及从“曲本位”衍生的乐府、散曲、散套、曲、南北曲、清曲两大类。各称谓之间的范围与所指不尽相同,仍需具体辨析。研究结果表明:清人对散曲称谓多沿用元明两代,且没有形成共识,展现出清代散曲成熟性与灵活性并存的特点;以词称曲作为清代散曲的主流称谓,一定程度反映了清词“中兴”而清代散曲衰落的基本格局。The titles of Sanqu in the Qing Dynasty can be divided into ten categories:Ci,Ci Yu,Xiao Ling,Ye Er,derived from the"Ci standard",and Yuefu,Sanqu,Santao,Qu,Nanbei Qu,Qing Qu,derived from the"Qu standard".The use and meaning of each title are not the same and still need to be explained and analyzed separately.The results of the study show:the titles of Sanqu in the Qing Dynasty are the continuation of the Yuan and Ming Dynasties,without consensus and with the features of Sanqu′s maturity and flexibility;Using Ci to describe Qu,as the mainstream title in the Qing Dynasty,reflects the basic pattern of Ci′s reviving and Sanqu′s declining in the Qing Dynasty.

关 键 词：清代散曲 文体称谓 词曲关系 

分 类 号：I207.24[文学—中国文学]