明清织绣品中鱼纹的艺术表征及其文化内涵  

Research on Artistic Representation and Cultural Connotation of Fish Pattern in Ming and Qing Dynasty Fabric and Embroidery

作　　者：郭炤含 张晓霞[1] GUO Zhaohan;ZHANG Xiaoxia(School of Art,Soochow University,Suzhou 215127,China)

机构地区：[1]苏州大学艺术学院,江苏苏州215127

出　　处：《服装学报》2024年第1期72-80,共9页Journal of Clothing Research

摘　　要：鱼纹历史悠久,因其造型丰富、取意吉祥,在明清织绣品中独树一帜,对其艺术表征及文化内涵进行探析,进而传承和发扬中国传统纹饰艺术。采用文献研究及图案分析的方法,对明清织物和刺绣品中鱼纹的形态、造型、色彩特征进行归纳,分析其艺术特征并探讨其背后蕴含的民俗文化。研究表明,明清织绣品上的鱼纹具有题材寓意丰富、造型灵动、色彩鲜明、工艺精巧等艺术特点,它诠释了中华民族源远流长的生殖崇拜、明清时期蓬勃发展的吉祥文化,以及超脱世俗的“鱼乐”思想。As a longstanding decorative pattern,fish patterns in Ming and Qing Dynasty embroidery are distinctive for their rich shapes and auspicious meanings.Analyzing the artistic representation and cultural connotations of fish patterns has profound significance for inheriting and promoting traditional Chinese decorative arts.This article employs literature research and pattern analysis methods to analyze the fish patterns form,shape,and color characteristics of fish patterns in tapestry and embroidery.The study explores their artistic characteristics and the cultural connotations behind them.The research shows that fish patterns on Ming and Qing Dynasty embroidery have artistic characteristics such as rich thematic meanings,dynamic shapes,bright colors,and exquisite craftsmanship.They interpret the ancient Chinese fertility worship,the prosperous auspicious culture of the Ming and Qing Dynasties and the transcendent"fish joy"philosophy beyond secular life.

关 键 词：鱼纹 织绣品 艺术表征 文化内涵 

分 类 号：J523[艺术—艺术设计]